Archive | February 2023

The Pigeon Tunnel

Feb20

In 2021 I completed the Faber & Faber Writing a Novel course, which came with a long reading list. I’m nowhere near having read everything on that list but it has opened up to me books I wouldn’t have read otherwise. One of those was The Pigeon Tunnel: Stories from My Life by John le Carré. I’d never read any of John le Carré’s books. On reflection I’ve seen more screen adaptations than I realised and rated those quite highly. Tinker, Tailor, Soldier, Spy is the obvious one, but also The Constant Gardner, The Night Manager and The Tailor of Panama.

The Pigeon Tunnel is part memoir, part insight into the writing process and part personal reflection. It includes stories from le Carré’s time in the British secret service during the cold war, which reflect on the events themselves, the people involved, and also how le Carré was growing personally and professionally as a result. After le Carré turned his attention fully to writing, he continued to write novels set in that milieu and so kept up the contacts and travels that provided him with the knowledge to vividly and believably portray the world of his stories. He reflects on the real life people and events and the process by which they then informed his writing.

The tone of the book is entertaining and warm. Some of the events that are described are weighty and serious: le Carré never takes them lightly but his writing conveys a comforting and safe viewpoint from which to regard them. It was as a result of enjoying his writing style in this book that I decided I would read the novels. I started last year with the first George Smiley novel Call for the Dead (which was made into the film The Deadly Affair). I found it much more of an adventure story and much less literary than I assumed it would be, and I’ll be working my way through the rest.

If you’ve never read any John le Carré, I’d thoroughly recommend him. The Pigeon Tunnel is a good place to start, even if you’re not particularly interested in the writing process or personal memoirs. It’s delightful.

Various Objects in Focus

Feb6

Over the last year I’ve read several books from the British Museum’s Objects in Focus series. These are lovely little books that provide a bitesize history of significant objects in the Museum’s collection, often with interesting contextual information from when the object was created and when it was discovered. There’s also often information about conservation techniques and how new technologies are increasing our understanding of archaeological and historical objects. They are also the perfect length for a once a week commute. I can read a whole one in one day.

As I’ve been somewhat lax in blogging, rather than do a post for each book, I’ve collected them here.

Lindow Man

Lindow Man is the preserved remains of a man found in a bog in Cheshire. Over 2000 years old, these remains are the best preserved from Iron Age Britain. The book covers the discovery and excavation of the remains and gives insight into what has been learnt from them. The man died a violent death but it is not know if it was murder, sacrifice or execution and speculation abounds.

The Standard of Ur

Unearthed in excavations in the ancient city of Ur in Mesopotamia (in present-day Iraq) the ‘Standard’ is a beautifully decorated hollow box. It’s called a Standard because of it’s positioning in the tomb. This is potentially misleading as it’s function is not known, if indeed it had a function beyond being art. One of the things that these Objects in Focus books allow is photos of the detail of the art that wouldn’t be possible seeing it on display in the Museum.

The Warren Cup

This is a luxury silver cup from the Roman Empire, dating to the first century AD. It depicts scenes of male lovers and, as well as being an astonishing piece of both art and artisanship, illustrates some of the social mores of Roman civilization. However, because of the nature of the scenes it languished unstudied and unappreciated. Even in 1999, when the Museum acquired the cup, there was a stir in the media.

Model of a Summer Camp

The Model of a Summer Camp is an intricate and detailed model carved from mammoth-ivory depicting a festival of the people of Sakha (north-east Russia). The model was created in the mid-19th century for the Universal Exhibition in Paris in 1867 where it was bought for the Museum. Although the model itself is not that old, the festival it depicts goes back centuries.

The Discobolus

The discus thrower is probably one of the most recognisable classical statues and will be familiar to many people. The book talks about the impact of the eighteenth century vogue for restoring classical sculptures – by filling bits in, adding new pieces or by inadvertently combining parts from different statues. Apparently quite a lot of statues, including the Discobolus, have the wrong heads.

The Meroë Head of Augustus

This is a bronze portrait of the Roman Emperor Augustus. The book looks in detail at the metal casting techniques used and the skill with which such a life-like image could be produced. It also looks at how the production and distribution of these types of statue were used a means of demonstrating power amongst far-flung imperial territories.

The Portland Vase

A beautiful Roman glassware vase which was smashed by a drunken visitor to the Museum in 1845. It’s re-construction and subsequent re-reconstruction has enabled the understanding of how the vase was created using techniques in glass that had been lost for centuries.

A’a: a deity from Polynesia

A’a is a carved wooden deity with many other smaller figures attached to it. Like many ethnographic objects collected by missionaries in the British Empire, not much is known about what it really represents. However, study of the materials, artisanship and working with local people who still retain the skills and knowledge can illuminate some aspects of the society that created it.

Bronze Head from Ife

Thought to represent a King, the bronze head is from Nigeria. The book has an interesting look about the attitudes of European artists towards non-European art as primitive and how objects such as the Bronze Head challenged those regressive theories.