This came to my attention at alt.fiction 2010. During a panel it was held up as an example of a perfectly good novel that couldn’t sell due to the market. With the upswing of the horror market, it found a publisher after having been with an agent for something like four years. I was keen to see what Twelve by Jasper Kent was like.
This is an historical horror; a vampire story set in Russia during the Napoleonic wars. I found the setting quite convincing, in terms of both time and place. Not that I know much about Russian history, so I’m probably quite easy to convince in that regard. The dialogue felt appropriate although I noticed a few conspicuously modern terms slipping into the narration.
The vampires were the opposite of sparkly. They are returned to subhuman killing machines with superior strength and speed, yet seem quite easily dispatched by the hero once he’s convinced of what they are. There are some nice moments of suspicion and betrayal among the hero and his friends.
Unfortunately, I found that the choice of viewpoint flattened the story someone. It is a first person narrator told by the hero, who is a man traumatised by torture in his past and by the choices he has to make in the present. His response is to become shut off from emotion. Which is a realistic response but as he’s the narrator it leads to an emotionally flat story. The reader doesn’t feel the horror because the narrator can’t. It nags at the edge of the consciousness and the narrator acknowledges that he should have more emotional sensation than he does (although this was a bit ‘tell’ for me) but he can’t feel what he should feel because it will overwhelm him. For me, as a reader, this felt distancing. I think it would have benefitted from first person narration by a sidekick or from third person narration.
Having said that, there was an excellent twist at the end, I did enjoy it and I will read the sequel.