Redemption’s Blade by Adrian Tchaikovsky and Salvation’s Fire by Justina Robson is a duology written by two different authors. It works way better than you might think.
Redemption’s Blade is about what people do in the aftermath of war. Particularly, it’s about what heroes do when the world no longer needs them. The main character is Celestaine the Slayer, who killed the evil demigod trying to destroy the world, but feels guilty about how far he got before she stopped him. I especially enjoyed the treatment of her magic sword which has a blade that can cut through anything and that’s actually really inconvenient. Scabbards don’t last, she had to learn how to fight completely differently, if she accidentally grazes someone they lose a limb. A sword that can carve through basalt makes mincemeat of people.
Celestaine believes if she can find a magical object of sufficient power she can restore one of the peoples who were broken by the evil demigod. Mostly it feels like she won’t, and Celestaine grapples with whether she’s doing it because it’s the right thing to do, or because she thinks it will make her feel better. Complicating things, the evil demigod was one of several demigods who were supposed to protect the world until he went rogue, and the rest of them are acting strangely now. In the end, though, she finds the magical macguffin, kills another demigod to get it, and her magic sword gets broken. Then there’s nothing for it but to go home and face the boredom.
Salvation’s Fire picks up a few weeks later just as Celestaine is finding home life constricting. One of the demigods pitches up to ask her and her companions to come on another quest. The evil demigod severed the world’s connection with the gods and one of the others has an idea about how to restore it. Meanwhile, loose in the world is a magical creature who was made by necromancers to be the bride of the evil demigod, and the person she’s bonded with is small girl whose entire people were slaughtered in the war. When Celestaine finds these two, it somehow seems that they have a role in what is to come, but what that role will be remains unclear. This journey takes them to the far north and then into other dimensions to find the gods, by way of some soul searching and some facing up to what was done in the war.
Adrian Tchaikovsky is quite prolific so there was a lot to choose from when I wanted something to follow the amazing Shadows of the Apt series. Redemption’s Blade is the first I picked up and it doesn’t disappoint. I loved it, couldn’t put it down, and was left wanting more. I was a bit apprehensive about how Salvation’s Fire would match up. Justina Robson’s Living Next Door to the God of Love was incredible and is one of my favourite books. Then I read a couple of her Quantum Gravity series, which are sci-fi/fantasy/spy/cyberpunk mash-ups. They’re good, but not my cup of tea. But there was nothing to worry about. Salvation’s Fire was just as good as Redemption’s Blade. It took the story and made it deeper and more complex. I highly recommend them. I wish there were more.
You must read this book. This is the best book I’ve read in a very long time.
The Power by Naomi Alderman explores the nature and dynamics of power. Women have evolved the power to deliver excruciating and fatal pain through their hands, and men have not. Using four different characters whose lives eventually intersect, Alderman explores what it means when the tables turn. When I started reading the book, I thought I knew what Alderman was saying with her story. Women start waking up to their power and the women whose stories Alderman tells are all victims of the ones who previously had the power: trafficked women; women in relationships with violent men; girls growing up with fathers that rape them; successful career women undermined by sexist bosses and co-workers. Examples of things that happen to women everyday.
It’s a relatively short book and it is impressive in the number of ways it explores its theme. It contrasts how different political systems react to the emergence of the power and the way men try to fight it – repressive regimes using violence and democratic regimes using manipulation and psychological control. The book looks at religious power and how it is used, and also personal power and what it means.
It was not long before I realised that the point being made is actually much more complex than it appears on the surface, and I realised I didn’t know what the message was. The women in power do unspeakable things to men without power; again, things done by the powerful to the powerless on a daily basis. The point is not that the status quo is fine, because if you just gender-flipped it then everything would essentially be the same. It is that we need to think much more carefully about power and who has it, and what they can do with it. Because most of us do things, even awful things, just because we can. I finished the book thinking that while Alderman had made me think very deeply about power she has done so without taking a didactic position herself. The story always remains paramount.
I enjoyed the gender-flipping of historical objects scattered throughout. I especially loved the epilogue. I won’t spoil it, but I have had that conversation so many frustrating times and I loved what she did with it. I would have liked a bit more exploration of queerness in the book. Alderman touches on girls born without the power and what that means for them, and on boys who have it, and there are illusions to same-sex relationships, and I would have liked to see that more fully developed. On the whole, this is an awesome and important book and I can’t recommend it highly enough.
This book was given to me by the author. This summer I went on an Arvon course on Science Fiction and Fantasy writing led by Emma Newman and Peter Newman. The week is mornings of workshops, afternoons of working on your project, and evenings of readings. On the first evening the tutors read from their own work and then generously gave us each a copy of one of their novels.
After Atlas by Emma Newman is set in an frighteningly plausible future dominated by corporations where advertising is omnipresent and indentured servitude has made a return. Carlos Moreno is a detective, but he is indentured. He has a contract which he has to work off before he can be free. In this story, Carlos is asked to investigate the murder of the leader of a cult called the Circle, from which Carlos escaped when he was 18. It was this escape that led to his capture and slavery. Returning to the Circle to solve the case stirs up a lot of memories, and the cult is not what he thought it was.
The future imagined in this book is an extrapolation of neo-liberal economics and its impact on democracy and any parts of life that are not economic. It is extremely unequal and highly surveilled. Almost nothing a person does goes unnoticed and privacy is reserved for the very rich. I liked the way it was handled and found it believable. I think the question of the balance of convenience and privacy is interesting. The concept of privacy is really a quite modern one. Centuries ago when people lived and worked in the same place all their lives everyone in the village knew everyone else’s business. Living in cities has given us a sense of anonymity that we’ve grown used to and are reluctant to give up.
The other thing I liked about this book is that it is a diverse cast of characters at all levels. A lot of this was done in a quite subtle way and I was a good way through the book before I realised it.
After Atlas is a science-fiction crime thriller, a genre of which I’m fond. It’s fun, and while it touches on some quite serious and weighty topics, it does so with a very light hand. Emma Newman is a good writer and this is an easy and engaging read. I liked it a lot.
I’ve read quite a few of Alison Weir’s historical biographies and am a big fan of her writing. Elizabeth the Queen has been on the shelf for a long time. Well, most of the books I reading have been; either they get read straight after being bought or they go in the pile only to surface years later. Anyway, still largely reading non-fiction. I’m currently 30,000 words through my 120,000 word work-in-progress so I think the non-fiction streak will continue for a while.
I enjoyed this a great deal. The writing is engaging and the court around Elizabeth comes to life quite vividly. I read this shortly before I read Fools and Mortals so I enjoyed having the real background to the setting. One of the interesting themes of the book is Elizabeth’s refusal to marry and the various factors that may have influenced that. In reality, Elizabeth had very little choice about who she might marry – there were few men equal in status to her, and most of them were Catholic. Of course, she showed little inclination to give up being supreme ruler of England. If she’d married her husband would have been her superior and she does not appear to have really believed that women were inferior to men. The prevailing opinion that women should not rule meant that she could never openly express that opinion so it must be inferred from her letters. Weir also posits that given the fate of her sister Mary and several of her father’s wives, Elizabeth may have subconsciously associated marriage with death. In her lifetime there were rumours of affairs and illegitimate children but they seem hardly credible in hindsight. I came away from the book thinking that she may have been asexual. Elizabeth clearly enjoyed flirting with men, as evidenced in her letters and contemporary accounts, and she had several emotional intense relationships, but did not seem to have to work terribly hard to repress her sexuality.
There’s a lot more to the book than speculation about marriage, even though this is tightly bound up with her diplomatic relations with other countries. It gives a lot of information about the court and the characters present, about Elizabeth’s finances and the corruption inherent in the system of patronage that was the 16th century economy. There’s a lot of detail about how Elizabeth negotiated her way between her powerful neighbours, France and Spain, and cleverly avoided wars she couldn’t afford. War wasn’t always avoidable, but a different ruler might have gone to war much more frequently given the circumstances.
I would highly recommend it. Informative, entertaining and very readable.
The Way of the Wolf is a book of paintings by Pollyanna Pickering, with text and photography by Anna-Louise Pickering, bought for me as a Yule present by my parents. It is absolutely gorgeous and I loved it.
The book recounts two trips made by the Pickerings to photograph and draw wildlife. The first was to seek out the threatened European wolf in Transylvania and the second trip was to look for the critically endangered Ethiopian wolf. Both areas are pretty remote and along with paintings and photos of the wolves are descriptions of the effort needed to get anywhere near them. There’s some interesting observations on the way of life in these areas and a little history. In both cases the authors worked with conservation teams to get close to the animals and descriptions of that work is included.
As the wolves are both rare and shy (the Ethiopian wolf is the rarest of all wolves) there’s a lot of time spent not seeing them, and instead painting and photographing other wildlife, the people they meet and the places they pass through. In Ethiopia they describe a feeding ritual with hyenas accompanied by some intense photos.
I love wolves and I enjoyed The Way of the Wolf for the beautiful art and the loving way it is presented. The Pickerings have published a number of books of wildlife art, including tigers, pandas, polar bears and owls. They are not readily available through the usual booksellers so I’m going to include a link to their website Pollyanna Pickering Studio.