Tag Archive | post-apocalypse

The Death House

death-houseThe Death House by Sarah Pinborough
Published 2015, Gollancz

This is one of the free books I picked up at FantasyCon 2015. I’ve not read anything by Sarah Pinborough before but I have heard her speak at events.

In a post-apocalyptic future some people have developed a genetic mutation that reveals itself in the teenage years. It is so serious that children have regular blood tests and those that show the markers are removed from society. They are taken to homes where they are fed and watched until the illness presents itself and then they are taken to the sanitarium.

The Death House is the story of Toby and Clara who meet in the house and develop a sweet teenage relationship. It is beautifully written and the interactions of the characters are engaging and moving.

The trouble is I had expectations that something gory and gruesome was going to happen and it never did. I liked the book and I will read more of Sarah Pinborough’s work; she’s a great writer. I guess I had it in my mind that she was a horror writer of a more physical sort. The Death House is a lyrical horror of a more subtle type.

Damnation Alley

damantion alleyDamnation Alley by Roger Zelazny
Published 1971, Faber and Faber

This was so much fun. In a post-nuclear holocaust America only the coastal cities have survived. Boston has a plague that threatens its survival and Los Angeles has the cure. A messenger made the crossing to ask for the cure but didn’t survive the effects of the journey. The continent is racked with radiation, storms, quakes, monsters and feral humans. Hell Tanner, a Hell’s Angel, is offered the choice between attempting the drive or going back to jail. The rest of the story is Hell battling the environment to take the cure to Boston.

It’s a fairly basic plot and is well handled. There’s plenty of tension and excitement and the success of the mission is often in doubt. The worldbuilding is excellent and the description of the impact of the use of nuclear weapons is vivid. I’m not sure how scientifically accurate it is, but it makes good fiction. A film starring Jan-Michael Vincent and George Peppard was loosely based on the book Damnation Alley, and, ye gods, it’s awful. The book is much, much better.

The characters were a bit sketchy. It’s a fast-paced action story, so the characterization takes a back seat. Hell is a seventies-style anti-hero who does a good deed only because he’s forced into it, but is cool in a laconic, anti-authoritarian way. The supporting cast is handled in what I think of as line drawing. There’s little detail and not much depth, but the impression of the character is skillfully conveyed in brief strokes of the pen.

Since I’m now reading a lot of sci-fi and fantasy written more than twenty years ago, I’ve started noting the publication date. Where I can, that’s original publication date, not necessarily the edition I read or of the picture that goes with the post. The reason for doing that is to try to build up a picture of changing representations of characters who are not white, male, able-bodied, cis-gender, or heterosexual and to see whether there is a pattern of change over time.

Damnation Alley has, as I recall, two female characters. One is a wife and mother of a family that give Hell food and healing half-way through the journey. There are a number of background characters and they are overwhelmingly male and white. Near the end of the book, Hell is chased by a biker gang. He kills most of them and one of the women joins him, but she’s only there for Hell’s sexual relief and conveniently dies soon after.

Despite the disappointingly predictable lack of diversity, Damnation Alley is extremely enjoyable. If like me, you like action, adventure and bit of silliness.

Station Eleven

stationelevenA virulent flu virus spreads like wildfire through the world. Almost everyone dies. Station Eleven by Emily St. John Mandel is the story of what happens afterwards.

Kirsten was a child when the virus struck North America, performing on stage in King Lear alongside Arthur Leander, an aging movie star. A few days later, nearly everyone is dead. The next ten years are so traumatic that Kirsten represses most of the memories. As an adult she is part of a caravan of performers, the Travelling Symphony, moving between the small settlements that remain after the collapse of civilization.

Both pre- and post-apocalyptic worlds are revealed through the stories of those whose lives intersected with Arthur’s. His first wife, Miranda, who dies in Malaysia when the virus strikes; Jeevan, a paparazzo turned paramedic who photographed Arthur; his son, Tyler, and second wife, Elizabeth; his best friend, Clark; and Kirsten, to whom he gave the comics that she carefully preserves when she’s lost everything else.

I loved this. The prose is lyrical and engaging. It’s fairly literary in style but is so well-executed that I didn’t mind. The characters are interesting and there is enough suspense in their stories to keep you turning the pages. I liked the way the stories switch between the past and the present and the connections between the characters are slowly built up. Mandel realistically presents a scenario for how the whole world might collapse in a matter of weeks if enough people die in a short space in time. It was quite chilling to think about. Definitely read this.