Sci-fi – 7
Fantasy – 12
Horror – 5
Romance – 7
Literary – 5
Classic – 9
Historical – 2
Thriller – 6
I read 32 non-fiction books, which is more than I thought, and makes me feel like I should break that down a bit.
Self-help/Psychology – 5
Philosophy – 1
History – 5
Current affairs/Politics – 4
Feminist thought – 5
Comedy – 3
Auto-biography – 2
Writing craft – 4
Paganism – 1
Science – 2
I noticed at points during the year that I was actively choosing to read books I perceived to be short and easy in order to achieve the goal of 100 books in a year. Whereas, if I hadn’t been trying to reach that goal I might have gone for a more challenging, edifying, (and for me, more satisfying) reading experience. It’s a bit like dieting, in that it drives bad behaviour. Books are chosen for being low-calorie (short/easy) rather than healthy (quality) and so the choices you make are not the ones that are best for you but the ones that will satisfy an arbitrary number.
A rogue scientist is experimenting with ancient alien technology far more advanced than that of the Polity, and his intention is to use that technology to make himself all-powerful.
The outlink station Miranda has been destroyed by a fungus that appears to have been deployed by Dragon, a mysterious alien being. The refugees from Miranda are picked up by a ship from Masada, a world outside the Polity which is ruled by a theocracy and keeps most of its population as slave labour. There is a rebellion on Masada led by Lellan Stanton, the sister of John Stanton, an arms dealer.
Because of Dragon’s involvement, Ian Cormac is sent to investigate.
Describing this as James Bond in space is not doing it justice as Neal Asher’s books are much richer and more complex than Ian Fleming’s were. Cormac is a more rounded creation and the supporting characters are much more real as well.
Gant is back. He was killed in the first book but it turns out he had himself backed up and so was downloaded into a golem body. Gant and Thorn were my favourite characters from the first book and I was happy to have Gant back. He spends a lot of time wondering whether he is still the same person as he was. When he is reunited with Thorn, who had not known Gant was backed up and so had grieved for the loss of his friend, there is some awkwardness in the relationship. The way Asher uses this relationship to explore what constitutes a person is really well handled and he portrays a deep, intimate friendship between these two men.
Many of the central characters are from the first book, allowing much development. Cormac is much less centre stage than he had been, but he is still struggling with being disconnected. As well as excellent characterisation, and the great dialogue that goes along with that, Line of Polity has plenty of plot. This is an action driven novel as Cormac chases both Dragon and Skellor about the universe. The ending is a bit of a shock. Cormac pulls off a clever trick, forcing Skellor to choose between destroying Masada and killing Cormac. Skellor chooses Cormac and runs into an outpost world run by arms dealers, who Cormac fools into thinking he is attacking. Their defence system is the only thing that can destroy Skellor at this point and it does so. It also seems that Cormac dies in the process. Right up to the last page I was waiting for Asher to reveal how Cormac survived, but he didn’t. Which leaves me desperate to read the next one. Genius. (There are currently three more Ian Cormac novels, so he has to have survived, right?)
I thoroughly enjoyed this. If you like space opera, particularly Iain M. Banks, then you’ll enjoy this. It’s exciting, entertaining and well written.
Lededje Ybreq is an indentured servant who is killed by her owner. She is revived on board a Culture ship, courtesy of a neural lace given to her by a passing eccentric ship when she was younger. Once she is used to the idea of being alive again, she seeks to return home to kill him.
Meanwhile, several lesser civilisations are engaged in a virtual war over the right to have virtual hells. The Culture is profoundly anti-Hell but felt that it shouldn’t participate. The war has been raging for decades and the anti-Hell side is losing. Because of this it is about to break out in the Real.
Lededje finds herself travelling home with the warship Falling Outside the Normal Moral Constraints, a delightfully psychotic mind created to be a weapon but knowing it will almost certainly never get the chance to show its full capability.
Lededje’s journey home takes her right into the middle of the outbreak of war in the Real, giving Falling Outside the Normal Moral Constraints the opportunity it never thought it would get.
I love the Culture and I want to live in it. With Surface Detail, Banks has created a new Culture novel that is possibly one of the best. I love the ideological discussions presented by the existence of virtual Heavens and Hells and what that means for civilization. One hell world is explored through the POV of two activist characters who voluntarily go to their world’s Hell to support the anti-Hell movement. The pain, despair and hopelessness is vividly brought to life. I found myself profoundly anti-Hell.
Characterisation is excellent, and my favourite of the many memorable characters was Falling Outside the Normal Moral Constraints. I love ship minds in the Culture novels; they’re so very entertaining. FONMC was wonderful. It is the mind of a ship created to be the ultimate deterent and loves destruction and mayhem, but is aware that it may never get to truly express itself. So it’s avatars are cruel, mean, spiteful and sadistic, and charming, elegant and manipulative, like the psychopath that the ship really is. And when FONMC gets to destroy an entire fleet of warships all by itself, it is so joyful that it is hard not to be happy for it.
In Surface Detail, Banks does not disappoint. It is full of interesting characters, sparkling dialogue, and rich with intellectual concept. It will make you think, and laugh, and cry. Highly recommended. This is a contender for best book of the year.
It’s the story of a man, Marlow, who takes up an ivory trading post in the Congo. While there he accepts a commission to travel into the jungle to find and return Kurtz. Kurtz was a trader, like Marlow, but has been in the jungle for a long time and there are disturbing reports.
Marlow is confronted with the venality of his fellow Europeans and dismayed with their treatment of Africans. When he sets off to find Kurtz he is deeply conflicted about what he is doing. His inner turmoil is increased when he finds Kurtz, who he experiences as a very charismatic man, and discovers that Kurtz has set himself up as a King. His hold over the Africans is derived from his willingness to present himself as a supernatural being; he encourages them to worship him by participating in their rites.
Kurtz is ill, so Marlow is able to take him from the tribe, to the great distress of the woman who was his mistress, but he dies on the way back down-river. Back in Europe, Marlow is sought out by people who knew Kurtz and has to decide what he will say about the man’s final years.
I found this surprisingly easy to read. Surprising, because I picked it up a few years ago and had trouble getting into it. That’s the benefit of a long commute – you have time to get into books that require a bit of time and effort. Once I got going, I found it quite hard to put down. It uses the frame narrative technique, a story within a story, which I find quite tedious. It’s a slow way of getting into a story and I’m glad it’s fallen out of fashion.
I liked the sense of oppression. The world Conrad describes is indeed dark, things happen at night, inside dark buildings and under the canopy of the jungle where the light rarely penetrates. He shows European colonists as small and greedy as they claim the Africans they’re enslaving are. The European characters, including Kurtz, talk about the civilising influence that empires bring to Africa while demonstrating behaviour that belies the claim. Conrad doesn’t pull any punches about the nature of colonialism. Marlow’s confusion and disillusionment is well drawn.
This is a book with a big reputation and is definitely one of those books you should have read. Fortunately, it’s pretty good and I really enjoyed it.
Reacher is hitching across the US, as is his wont, and is dropped off in the middle of the desolate plains of Nebraska. He finds a motel and walks into a village terrorised by the Duncans, a family of thugs who deal in human trafficking.
The battered wife of the youngest Duncan calls the drunken doctor drinking at the motel bar and Reacher, having a chivalric moment, drags the unwilling doctor to assist, then tracks down the husband and breaks his nose. As things start unravelling, Reacher discovers that the Duncan’s are implicated in a thirty-year old case of a missing girl.
Meanwhile, the Duncan’s are waiting for a shipment that is late. The buyers have sent a couple of guys to find out where it is. There are further buyers in the chain, who also send thugs to expedite the process.
After much chasing around windy, flat farms and the grisly, violent deaths of many a criminal, Reacher solves the case and the bad guys get their just desserts.
I think Lee Child is getting better as a writer, Reacher seems a more complex character than when I first picked up one of these books, and as he gets more complex he gets more likeable, which was definitely missing at the start.
I also appreciate the short time span the novel is set in. All the action happens over a few days, maybe a week. With Reacher able to have many adventures in a short space of time, he doesn’t age at the same rate as the reader. Which can be a problem with your action hero. Worth Dying For has all the strengths and weakness I’ve come to expect from Lee Child. What’s good is the plotting, the pace, and the creation of a insulated little world wrapped up in its own problems. Not so good is the dialogue and Reacher’s god-like powers. Still, all in all, it was fun and if you’re looking for an easy, relaxing read, you could do worse.
Sookie is left an inheritance by her cousin Hadley, former ghoul of the Queen of Louisiana. She has to go to New Orleans to collect.
At the same time, Eric Northman wants her to go to the Queen’s wedding to use her telepathic powers for him. She’s dating the were-tiger Quinn and they are attacked by werewolves.
So, there’s quite a bit of plot here, which has been lacking in the last couple of Sookie stories. The Queen’s marriage is a political one and her fiance is looking for an excuse to kill her. Such an excuse might be provided if a jewellery gift if missing – and the Queen asks Sookie to find it for her. Hadley stole it in a fit of pique and it’s hidden amongst her belongings. Meanwhile the werewolf attacks turn out to be the revenge of relatives of Debbie Pelt, killed by Sookie in a previous book. It was nice to have some action going on and Definitely Dead is a return to the style of the first two books.
The sexual tension between Sookie and Quinn is pretty hot, which I liked. The relationships between Sookie and the other characters has developed a bit and they were more real. In previous books the supporting characters have been a bit flat, with Sookie the only one with real personality. This has been addressed a little and so the book was a bit more satisfying.