I’m writing a lot at the moment, and not reading much to review, so instead – cool pictures of space!
I picked up Scream for Me by Karen Rose from the book drop at work. I was in the mood for something lightweight and thrilling.
Following the death of his brother, Detective Vartanian finds a collection of photographs that indicate that, when much younger, his brother participated in the gang-rape of several young women. When he goes to Dutton to investigate the murder of a woman, he realises that this death is somehow connected to those events.
Alex Fallon’s sister has gone missing and she comes to Dutton to care for her small niece and to look for her sister. The police think she’s an addict and aren’t interested in looking for her. Fallon had a twin who was murdered when they were teenagers and the MO for the current crimes is very similar. It becomes clear that the murderer is trying to reveal the rapists from Fallon and Vartanian’s childhoods, and that several important people are implicated.
This has been a strangely hard review to write. Partly because it’s a while since I read the book and it hasn’t stuck very well in my mind, and partly because I didn’t have very strong feelings about it. I enjoyed it while I was reading it, even though I thought the plot was a bit predictable. There were elements in it that should have had a high emotional impact but somehow fell flat. I guess I never believed that any of the main characters were in danger of dying. The ones that died were the minor characters that hadn’t had enough page-time to get the reader invested in them. It’s ok for a palate cleanser, but didn’t engage me enough that I’d seek out more.
Oh hai Uhtred. The Burning Land is the fifth in the Bernard Cornwall’s Saxon Chronicles. Regular readers will know I’m a fan and I enjoyed this one just as much as the others.
Wessex is once again plagued by Danes and Alfred still relies on Uhtred to fight his battles for him. The leader of the Danes has a woman, Skade, with him who is considered to be a sorceress. Uhtred captures her and uses her to lure Harald into an unwise attack. Skade curses Uhtred and although he wins the battles, he loses Gisela, his wife.
At Arthur’s court, a simpleton priest has a vision in which he says Skade and Gisela are the same. Alfred demands Skade is killed and Uhtred, humiliated, leaves Wessex. He goes to Durham where Ragnar is lord and finds him planning to attack Wessex, largely on the basis that Wessex will eventually attack them. Alfred is now calling himself King of the English.
Uhtred’s ultimate goal is Bebbanburg but for that he needs money and lots of it. He sails to Denmark where Skade’s first husband is said to sit on vast wealth. With few men and a cunning plan he takes the Danish stronghold but finds that the treasure is much smaller than it was said to be. They return to join Ragnar but just before they march Uhtred finds himself ensnared again. He made an oath to Alfred’s daughter, Aethelflaed, and she has asked for his help. Her husband is trying to divorce her and she is holed up in a nunnery.
So, off he goes, because the love affair between Uhtred and Aethelflaed has been signposted since book one. Ragnar attacks Wessex and Haesten (the devious Dane ruling East Anglia) attacks Mercia. Uhtred is bound by his oath to defend Mercia. Naturally, he pulls it off with aplomb and a certain amount of work. And by the end, he’s as firmly tied to Wessex as ever and no nearer Bebbanburg.
I love these. Cornwell is a great storyteller. His characters are fantastic, the action is completely engaging and the pace is good. This was a nice change of rhythm from the last book which focussed on a single battle. It is no mean feat to have the fifth book in a series as entertaining and enjoyable as the first – and to have me looking forward to the sixth. And it’s not just because it’s got vikings in it, honest.
Last time I reviewed a Cornwell novel, The Fort, I noticed a heavy-handed use of dialogue tags. I did look out for them in this one, and they’re there, more than might be desirable, but not nearly as intrusive as in The Fort.