Archives

Hub, Issue 87

Ah, these one story issues of Hub are perfect for reading and reviewing in your lunchbreak.

Issue 87’s story in Nightlife by Dean Grondo. Wow, that’s disturbing. I think I’m actually horrified. This is a snippet of an insight into the mind of a serial killer. There’s no attempt to construct a narrative or give any backstory and I think that shows just how competent and assured the writing is. All throughout the story I was thinking in a slightly hysterical way ‘but why? Why?’ and no why was given. It would have been a much weaker piece if the author had attempted to answer the questions. I’m not sure I actually liked it but it’s the first time in ages I’ve been really disturbed by a horror story – and isn’t that exactly what the genre is supposed to do? I’ll be looking out for more of Grondo’s work.

Crossed Genres, Issue 5

Issue 5 of Crossed Genres is sci-fi/fantasy crossed with humour. There are five stories.

The first is Archimedes Nesselrode by Justine Graykin. The start of this put me off. I think perhaps this information could have been worked into the story as part of the narrative, rather than as an introductory scene. The setting is lovely but I think Graykin has missed a trick. Her writing is competent but her style is quite matter of fact and works against the picture she’s trying to convey. The characters didn’t really come across well and it didn’t make me laugh.

A Simple Matter by Linda Linsey did make me laugh. I loved the updated take on fairy godmother stories. More could have been made of the ending, which struck me as a little hurried, and the ‘twist’ was telegraphed early on. Although I was amused by it.

I really liked the concept of Condiment Wars by Jill Afzelius. It’s inventive and entertaining. The pacing is good and the author draws the ending out nicely. There were a few moments that made me smile and I’d be interested in reading the further adventures of ketchup and mustard. I found the writing style laboured though. It seemed a little unsophisticated and often the dialogue was stilted. As it’s a dialogue-heavy story (in principle, a good thing) this is quite important. This is a great idea that would have benefitted from a serious re-write.

Story number 4 is A Smoking Idol by Max Orkis. Well, it’s not so much a story as an anecdote. This is some good writing; I’m just not sure this piece showcases it that well.

The final piece is A Tale of Two Bureaucracies by Jeremy Zimmerman. Hee. This is genuinely amusing – or at least, genuinely appeals to my sense of humour. It’s also well written and an intelligent take on bureaucracy. Zimmerman had a story in Issue three that I really liked. And just checking back I realise I haven’t reviewed Issue 4. Ooops. Anyway, this tickled me. Definitely the best of the bunch.

Three out of five of the writers in this issue are women. I’ve no idea whether this was done consciously or not, but I would like to commend Crossed Genres for equal gender representation in this issue.

Hub, Issue 85

I am now reviewing Hub in the same month of its publication. I’m giddy.

The story in Issue 85 is Old Clothes by Chris Cyr. I didn’t like this. It’s a ghost story and is the experience of a woman’s spirit after her death. Old clothes are used to hang old memories on and tell parts of the woman’s life story. For me, it lacks conflict and emotion. It is, unfortunately, just a bit dull.

Hub, Issue 83

Special treats in Issue 83 of Hub. There’s a poem as well as a story.

Story first, as usual, and it’s Mother Sponge by Mur Lafferty. This is really good. Exposition is handled in great dialogue and adds to the story rather than slowing it down. It builds from a strong start into a gripping finish – something that I now realise is rare. Stories often seem to start strong and falter towards the end but this gets better as it goes along.

The poem is The REAL Easter Bunny by Peter Roberts. It’s cute in a horrible sort of way. I should mention that I don’t read much poetry, although I do appreciate some of it. I’m interested in form and prefer stuff with some structure rather than free verse, so the rhyming couplets appealed to me.

Hub, Issue 84

My Dad’s Idea by Llinos Cathryn Thomas is kind of fun. It’s a tongue in cheek solution to resource exhaustion and its impact on the human race. It’s worth a read.

On an aside, and as I don’t have much to say about the story in Issue 84 of Hub, I recently watched a few episodes of Primeval based on the review in this issue. And I’m glad I did. Someday I’ll make the effort to catch up with Series 1 and 2.

Hub, Issue 82

Once upon a time, I thought I was catching up but this is real life and there’s no happily ever after. Which sounds more depressing than I mean. There are endings and many of them are happy and then the story keeps on going. Much like my quest to catch up on my reading. Oh happy fool.

Issue 82 of Hub contains the story Under A Bridge by Paul Fairbairn. It’s okay. It’s a modern fairy tale and that’s quite nice to see. I like the idea but the telling of it lacks depth. Exposition is nicely weaved in with dialogue and the writing is competent. It took me a moment to put my finger on what was missing – and in this case, it is that something is missing rather than that something is wrong. There’s no sensation. A very physical scene is described very cerebrally. There’s no smell or sound or texture and little colour.

Hub, Issue 81

Still struggling to get used to the new blocky design of Hub‘s website. And still struggling to catch up with all the things I want to read.

Anyway, Issue 81. The story is Gifted by Philip Palmer. Wow. This is fantastic. The very sad tale of a lonely boy who wastes the gifts he has, and knows that he wastes them. The non-linear structure underpins the sense of dislocation and conveys some of the backstory without words. I loved the repetition of some of the scenes and the way it helped to heighten the emotion. Definitely read this one.

Hub, Issue 80

Yikes, Hub‘s had another redesign. I’m not so keen on this version; it hurts my eyes a little and seems a bit old-fashioned. Still, what it looks like is less important than what’s in it.

On to Issue 80 and Hush a Bye by Beverly Allen. This story starts off well. Allen takes a mundance breakfast scene, hints at a mundance cause of her protagonist’s sleepless nights and makes it compelling through wonderful writing. She creates a viscerally real atmosphere and knowable characters with a deft hand. I was really impressed.

The ending was a little disappointing. It felt rushed and lacked the drama that the story really deserves. It’s worth a read, for the brilliance of Allen’s writing, and I’ll be looking out for more of her work.

Hub, Issue 79

The story in Issue 79 of Hub is another that plays with format. SBIR Proposal by Richard K Lyon takes the well used guise of a letter from one organisation to another. There is quite a lot of back story early on that I think would be unlikely to form part of the content of such a letter. The central idea is entertaining and suits the letter format, but it might have been more effective to have had an exchange of letters. I found myself skipping a couple of paragraphs. It’s a neat idea that could have been executed better.

Hub, Issue 78

OK, I’m steadily catching up.

We’re on to Issue 78 of Hub, only five issues behind now. The story is Gravestones by Mari Ness and it’s a real treat. I’m really interested in structure and the impact it has on a story. The same tale structured in different ways can be so different. I like to see something new. Gravestones is a short, anecdotal story, given a lift by a staccato structure. The graveyard is given a discordant, creepy feel in a deft manner and the ending was hilarious. I laughed out loud.

I’ll be looking out for more of Mari Ness’s work.