One of the current exhibitions at the British Museum is Luxury and Power: Persia to Greece and as always, there is an exhibition catalogue which is written by James Fraser, Lloyd Llewellyn-Jones and Henry Cosmo Bishop-Wright. As with all BM catalogues, it is so much more than that. There are beautiful photos of the objects in the exhibition and some context for what they are, and there is also an exploration of the meaning of luxury.
People convey status in a variety of ways and almost all societies and cultures have differences in status, no matter how egalitarian. The book looks at how the Achaemenid Persian empire, a highly hierarchical political system based on kingship, used luxury to communication extreme wealth and power. The possession of fabulously costly objects set royalty and nobles apart. The wealth needed to have the objects created was out of reach of almost everyone. There is also a luxury in the impracticality of many of these things. To be able to afford the inconvenience of wearing pounds of gold and gems as jewellery and clothing means that you can have others serve you, that you don’t have to carry out even the smallest task for yourself.
As the Greek city states, led by Athens, became more powerful the Greeks defined themselves in opposition to the Persians. Luxury wasn’t power and status, it was decadence and decline. Which is not to say that Greeks weren’t wealthy, just that ostentatious displays of luxury were associated with the enemy, with all the things that Greeks were not. Wealth was poured into social projects, especially temples and public architecture. Luxury was used to express the power and status of the state rather than the king and his family.
Luxury and Power: Persia to Greece is an interesting look at concepts that have always been present in societies in all ages. It provokes thought about how luxury and power are expressed and used today. The book itself is a lovely hardback with purple inside covers and gold embossing. Not quite the kind of luxury on display in the book/exhibition, but unnecessary enough to feel special.


